Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Louis-Leopold Boilly
The Arrival of the Diligence (stagecoach) in the Courtyard of the Messageries

ID: 85833

Louis-Leopold Boilly The Arrival of the Diligence (stagecoach) in the Courtyard of the Messageries
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Louis-Leopold Boilly The Arrival of the Diligence (stagecoach) in the Courtyard of the Messageries


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Louis-Leopold Boilly

French Painter, 1761-1845  Related Paintings of Louis-Leopold Boilly :. | Portrait of Pierre-Joseph Redoute | Departure of the Conscripts in 180 | La Preference maternelle | The Geography Lesson | Portrait of maurice martin |
Related Artists:
Henri Bellech-ose
Brabant active in Dijon 1415-Dijon 1440/44
CARRACCI, Agostino
Italian Baroque Era Painter, 1557-1602 Painter, engraver and draughtsman, cousin of Ludovico Carracci. He abandoned his profession as a tailor, which was also that of his father, Antonio, and began training as a painter. According to Faberi, he studied first in the workshop of the painter Prospero Fontana (like Ludovico), then trained under the engraver and architect Domenico Tibaldi and under the sculptor Alessandro Menganti (1531-c. 1594). However, it is likely that Faberi's account was influenced by his desire to present Agostino's career as an example of the versatile 'cursus studiorum' advocated by the Accademia degli Incamminati. Other sources (Mancini, Malvasia, Bellori) agree that it was his cousin Ludovico who was responsible for directing him towards painting.
VASARI, Giorgio
Italian Mannerist Writer and Painter, 1511-1574 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.






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